Yangqin is played with two light rubber-tipped bamboo hammers.

FM Nanjo is presenting a concert by Agun Kin, a globally prominent Chinese Yangqin player, in the Nanjo City Sugar Hall Cultural Center as part of its start-up service commemoration.

The Saturday evening concert has doors opening at 6 p.m. for a 6:30 p.m. start.  Advance tickets are ¥1,500, and ¥1,800 at the door. Tickets are available at Family Mart (E-Plus) / Sugar Hall / Ganju Station in Chinen, Nanjo City.

Yangqin player Agun Kin

Although Yangqin is usually used for accompaniment in Chinese music, Agun Kin attracts attention as a player who reclaimed a new art domain called the solo Yangqin. He presents a traditional yangqin performance style, also tackling an ensemble with ethnic music and Western music, a feat that has drawn high evaluations from a broad range of listeners, while spreading Yangqin music to every country.

The trapezoidal yangqin is a Chinese hammered dulcimer, originally from Persia now modern-day Iran. It used to be written with the characters 洋琴 , lit. “foreign zither”, but over time the first character changed to 揚琴, pronounced “yang”, which means “acclaimed”. It is also spelled yang quin or yang ch’in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names “santur” and

A modern Yangqin

“cymbalom”.

The yangqin was traditionally fitted with bronze strings, though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin’s, categorization as a silk, or “si” instrument, which gave the instrument a soft timbre. This form of instrument is still occasionally heard today in the “hudie qin”  played in the traditional silk and bamboo genre from the Shanghai region known as Jiangnan sizhu , as well as in some Cantonese music groups.

The Thai and Cambodian khim are nearly identical in their construction, having been introduced to those nations by southern Chinese musicians. Since the 1950s, however, steel alloy strings, in conjunction with copper-wound steel strings for the bass notes, have been used, in order to give the instrument a brighter, and louder tone. The modern yangqin can have as many as five courses of bridges and may be arranged chromatically. Traditional instruments, with three or more courses of bridges, are also still widely in use. The instrument’s strings are struck with two lightweight bamboo beaters, also known as hammers, with rubber tips. A professional musician often carries several sets of beaters, each of which draws a slightly different tone from the instrument, much like the drum sticks of Western percussionists.

The yangqin is used both as a solo instrument and in ensembles. Composer/vocalist Lisa Gerrard has used this instrument in the eight albums recorded by the band Dead Can Dance and also in some of her performances solo since the breakup of Dead Can Dance. The Chinese group Viva Girls, best known for covering popular Chinese and foreign songs using traditional instruments, has also used it their albums and performances.

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